 | Major Dapp - Philadelphia Weekly,
October 3rd, 2007 RECENT ADD |
 | Should Jazz be
Political? - New York Press, January
18th, 2006
RECENT ADD |
 |
Band
Cooks a Tasty Musical Stew - Toronto Star, July
5th, 2004 |
 | Arts
Live this Week - Pulp, Pittsburgh, October 2003 |
 | Album livens jazz
scene while giving genre credit - Daily Lobo, New Mexico, September
2003 |
 | Futuristic
Attack Jazz Livens up JVC Festival - Geoff Chapman - Toronto Star,
June 2002 |
 | New York @
Night: March 2002 - David Adler - All About Jazz.Com, March 2002 |
 | Milne
& Cosmic Dapp Extend Their Groove - Don Heckman - Los Angeles
Times, January 2002 |
 | Pianist
Milne & Co. Break New Ground - Don Heckman - Los Angeles Times,
November 2000 |
 | Andy Milne's
Cosmic Dapp Theory Heralds the Future of Jazz - Weekly Alibi, September
1999 |
 | Dapp Spells
Independent and Adventurous - Geoff Chapman - Toronto Star, October
2003 |
 | Dapp
Theory Blends jazz, hip-hop - Pittsburgh Live.com, October 2003 |
 | Andy
Milne's Music for the Human Condition - All About Jazz.com, August 2003 |
 | Bruce
Cockburn Flirts with Modernism - Acoustic Guitar Magazine, August
2003 |
 | Bruce
Cockburn, You've Never Seen Everything - PASTE Magazine, June
2003 |
 | Dapp
Theory Due for Gigs - The Mercury News, January 31st, 2003 |
 | Andy
Milne talks about Bruce Cockburn Collaboration - The Cockburn
Project,
December 2001 |
 | Milne
Fields - Mountain Xpress, November 2000 |
 | Anything
But Silent - Metro Active, October 31st 1996 |
 | Andy Milne Profile
- Fly,
February 6th 1996 |
Reviews of "New Age of Aquarius"
"In addition to a melodic sensibility strongly informed by
Herbie Hancock, Milne's musical trademark is a malleable rhythmic base, which
upshifts or downshifts in mid-song, or changes direction entirely."
Downbeat
"Milne plays with a secret blend of precision and rangy
inventiveness, sometimes recalling Herbie Hancock's Mwandishi period, stirred in
with M-BASE calculations."
Jazz
Times
"
pervasively funky, but with a couple listens
it becomes clear that this is funk both subtler and more daring than almost any
to come before it."
Daily Barometer - Corvallis, OR
"
headily creative sounds, with stimulating leaps of
melody and harmony and real rhythmic snap, mindful of a contemporary Thelonious
Monk."
Toronto
Star
Reviews of "Forward to Get Back"
"
Milne masterfully surfs the aural ocean on waves of
funk and swing; splashing drops of Herbie, Geri Allen and his own rippling
grooves.
He's a definite comer."
Jazz
Times
"
evocative, involved and highly ambitious project
is clearly reaching for something beyond the post-bop pale. [Milne] states his
case boldly and eloquently on Forward to Get Back"
Music from the 4 Corners
"Andy Milne's raw energy is shaped by a yearning for inner
truth."
Ottawa
Citizen
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